Pictures are often connected with the mediation of the event but, paradoxically, not with temporality as such. Although there are several existing approaches that focus on the interplay between the event and its literary representation, the relation between pictorial time and the temporal constitution of the event remains unexplored. The field of image theory has offered insights into the multiple dimensions of the picture's temporality. It has shown that the picture's temporality concerns not only the depicted event but also the picture's immanent modes of producing different temporalities within one pictorial plane. The picture thus not only makes visible but also generates multilayered times of the event. This article brings together insights from image theory and from theories of historical times to demonstrate the relationship between the times of the event and the inner logic of the picture. In order to identify the various qualities of the picture that structure the times of the event, this article uses the case study of Reinhart Koselleck's practical and theoretical work with pictures. This article reads Koselleck's approaches to pictures alongside new insights concerning the relationality of time to the event and the picture. By exploring the picture's agency with regards to the politics of time, this article lays bare the picture's potential to structure the times of the event.