Abstract
In the ups and downs of the historical mirror, the process of social change perspective modern history narrative mode. The stratification, blending and interweaving of historical reality and historical imagination reflect the multidimensional interpretation of modern history. The change of narrative mode reflects The Times concern of political ideology. In the strong discourse of revolution, the revolutionary narrative exists in a strict academic attitude. Taking Hu Sheng's from the opium war to the May 4 th movement as the object of analysis, this paper expounds the way of interpretation of historical materials in the context of revolution. Revolutionary narrative mode can also exist in the form of aesthetics. Chen Xulu metabolism of modern Chinese society constructed a poetic paradigm to respond to reality. The grand narrative refers to the narrative mode of modernity, reflecting the combination of historical reality and historical imagination. Yu Heping's history of Chinese modernization is constructed in the balance between historical realityand historical imagination, highlighting the sociality and contemporaneity of history. The post-modern narrative mode endows the historical imagination with greater inclusiveness and highlights the historical expression. As a typical post-modern narrative mode, Paul A.Cohen's "History in three keys: the boxers as events, experiences and myths" explains the narrative paradigm of construction, deconstruction and reconstruction, presenting a historical picture of coexistence of temperature and feelings.In the self-adjustment of historical scene and historical plot, the system and consciousness mode of the nation and state system are created.
跌宕起伏的历史镜像中,社会变革的过程透视着近现代史叙事方式的进阶。历史实在与历史想象的嫁接、糅合与交织映射了近现代史解释模式的多维化。叙事方式的流变反映了政治意识形态的时代观照。革命性叙事方式在革命的强势话语中,以严整性的学术姿态存在。以胡绳的《从鸦片战争到五四运动》为分析对象,阐述革命语境下对史料的解释方式。革命性叙事方式或以美学形式呈现,陈旭麓的《近代中国社会的新陈代谢》建构了诗化回应现实的范式。宏大叙事援引了现代性叙事方式,体现了历史实在与历史想象的糅合,虞和平的《中国现代化历程》在历史实在与历史想象的平衡中架构,彰显了历史的社会性和时代性。后现代性叙事方式,赋予历史想象更大的包容性,凸...
跌宕起伏的历史镜像中,社会变革的过程透视着近现代史叙事方式的进阶。历史实在与历史想象的嫁接、糅合与交织映射了近现代史解释模式的多维化。叙事方式的流变反映了政治意识形态的时代观照。革命性叙事方式在革命的强势话语中,以严整性的学术姿态存在。以胡绳的《从鸦片战争到五四运动》为分析对象,阐述革命语境下对史料的解释方式。革命性叙事方式或以美学形式呈现,陈旭麓的《近代中国社会的新陈代谢》建构了诗化回应现实的范式。宏大叙事援引了现代性叙事方式,体现了历史实在与历史想象的糅合,虞和平的《中国现代化历程》在历史实在与历史想象的平衡中架构,彰显了历史的社会性和时代性。后现代性叙事方式,赋予历史想象更大的包容性,凸...